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NYC Semester

Spring ‘22 NYCJ students learn what it takes to make it in New York, studying and interning in the city as the pandemic eases

Spring ‘22 NYCJ students learn what it takes to make it in New York, studying and interning in the city as the pandemic eases

Students taking part in the NYC Semester in Journalism program have spent the past two months covering important local and national news stories as the world slowly emerges from COVID-19. 

This semester’s students followed in the footsteps of past NYCJ classes by participating in the unique semester-long, off-campus study program operated by the McCandlish Phillips Journalism Institute at The King’s College in NYC.

After two years when internships were remote, many are now hybrid while classes at King’s are back in person. 

“I would absolutely recommend NYCJ to anybody who thinks journalism may be a career they pursue seriously,” said Banks Halvorson, who hails from Covenant College in Georgia and is currently interning at the Brooklyn Paper.

“The experience of working with newspapers in the media capital of America is priceless, and the classes you take and people you meet are incredible. I was excited about this program, but it has blown all my expectations out of the water.”  

Students taking part in the 14th NYCJ cohort that chose to make New York their home this semester. The students are enrolled in classes, including History of Journalism and New York City with Prof. Clemente Lisi and Entrepreneurial Journalism with Prof. Paul Glader. Under Glader’s guidance, the students work 20 hours per week in a New York newsroom, earning six academic credits and pursuing bylines.

Paige Taylor, a student from Abilene Christian University in Texas, is currently an intern at Bold TV. She said her internship and courses — in addition to living in New York City — has made this semester a unique experience.  

“Living and working in New York is much more fast paced than I anticipated,” she added, “but I adapted very quickly and have actually grown to love the hustle and bustle.” 

Esther Wickham, a King’s student who is taking part in NYCJ this spring, said her internship at amNewYork and living in the city has given her a chance to gain valuable experience needed for her to get a job once she graduates. 

“I would definitely recommend the program! It grants you the opportunity that the current college you attend can't give you,” she said. “Living in New York City during your college years while pursuing a career in journalism with highly skilled and talented professors that have been in the journalism field for decades is a dream many have.” 

Camila da Silva, a student who attends the Sao Paulo-based Mackenzie Presbyterian University in Brazil, is spending the semester as an intern with Religion Unplugged. She said her favorite class was History of Journalism, a course that looks at coverage of various events in U.S. history, including the 9/11 attacks, and the beliefs, values and character that goes with working in a New York newsroom.

“It brings together what we can learn from the past and perspectives for building modern journalism,” she said. 

Both Taylor and Wickham are taking Religion Reporting this semester, giving students yet another chance to get bylines since the advanced reporting class works closely with ReligionUnplugged.com. The non-profit religion news website, which has offices at TKC, is part of The Media Project

“We have gone really in depth on reporting and getting outside of our comfort zone when it comes to reporting on topics we are not very familiar with,” Taylor said. “I have learned so much about reporting.” 

The New York City Semester program partners with more than 41 universities and colleges across the U.S. and the world. Students can apply to join the program for a future semester by clicking here

The McCandlish Phillips Journalism Institute welcomes the NYCJ class of Fall 2021

The McCandlish Phillips Journalism Institute welcomes the NYCJ class of Fall 2021

NEW YORK — The 13th class of the NYC Semester in Journalism arrived in late August from across the United States and one from Brazil. The class of 13 students represent nine colleges and universities. 

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The students will participate in a unique semester-long, off-campus study program operated by the McCandlish Phillips Journalism Institute at The King’s College in New York. They will spend the semester living in student housing at King’s, where they will engage in a journalism-intensive semester, including taking classes such as Entrepreneurial Journalism with Prof. Paul Glader, a former reporter at The Wall Street Journal and founder of VettNews.com.   

Under the guidance of both Glader and Prof. Clemente Lisi, a former editor at the New York Post, students will earn six academic credits pursuing at least one byline or video credit per week for their portfolios. 

The New York City Semester program partners with 41 colleges and universities across the nation and globe. Apply to become a partner school by contacting Paul Glader at pglader@tkc.edu. Apply to join us as a student for a future semester by clicking here

Here is a roster of the NYCJ Fall 2021 class: 

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Leocciano Callao 

A native of The Philippines, Leocciano hails from Providence Christian College in Pasadena, Calif. He is interning at the Brooklyn Paper this semester.   
 

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Anna Carlson

Anna attends Point Loma Nazarene University in San Diego. She previously worked for The Point Weekly, Point Loma’s student media outlet. She is interning at Newsweek.  


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Julia Findley 

A digital communication and design manager, Findey is a student at William Jessup University in Rocklin, Calif. She is interning at Bold TV.  

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Alyssa Flores 

Alyssa also attends William Jessup, studying marketing and communications. She is interning at Bold TV.    

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Haeven Gibbons 

A journalism major and Spanish minor, Gibbons is a student at Texas Christian University in Dallas. She previously interned at The Media Project, which is based at King’s, and is currently an intern at amNewYork.  

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Ashley Grams

Ashley is a broadcast journalism major at Biola University outside Los Angeles. She is interning at NBC New York.



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Nyckole Holguin 

Nyckole is a student at St. Edward’s University in Austin, Texas, studying broadcast journalism. She is interning at amNewYork.  

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Alyse Messmer 

Alyse is a student at Cal Baptist University located near Los Angeles. She is interning at Newsweek.   


 

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Katelyn Quisenberry

A student who attends Biola University outside Los Angeles, Katelyn is interning at Bold TV.   

 

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Sofia Kioko Saleem Khan 

Sofia hails from Brazil and attends Mackenzie Presbyterian University in Sao Paulo. She is interning at Religion Unplugged, an Award-winning non-profit news website. 
 

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Rebecca Schwind

Rebecca is a student at Biola University outside Los Angeles and has experience at The Chimes, the school’s student-run newspaper. She is interning at Newsweek.  


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Jada Williamson 

Jada is a student at Lee University in Cleveland, Tenn. She is interning at the Brooklyn Paper.  

 

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Kayla Wong

Kayla attends Point Loma Nazarene University. She is interning at the Queens Courier

The McCandlish Phillips Journalism Institute is a home of journalism-related programs and majors at The King’s College in NYC. In addition to its academic programs, it hosts events and provides resources to its students, alums, friends and donors. The institute is named in the honor of the legendary reporter at The New York Times who was an exemplar of standards, ethics and style in the craft of journalism and was a kind friend and mentor to those of us who knew him.

An Actor Discovered How Creatives Can Build A Personal Brand on TikTok

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Brittin Ward works at The King’s College in NYC as Educational Ventures and Services Administrator. In that role, he helps organize several academic programs at King’s including the Summer Academy for high school students each July and the NYC Semester programs in Journalism and Theater for visiting college students from 41 partner schools.

We knew that Brittin is an aspiring actor, who stared in several theater productions at King’s and in New York City since he graduated from Kings in 2018. So we were excited to learn that Brittin has made the most of the Coronavirus pandemic by applying his theater skills and interests to a TikTok, where his videos have gained millions of views and hundreds of thousands of followers. Brittin maintains a humble and studious attitude about this social media virality. And he agreed to answer questions about what he’s learning on TikTok that other actors, creatives and journalists might appreciate.

Q - How did your life in theater change when Covid emerged last March, April and May?

A - Theater stopped--everything stopped. I love theater and acting and suddenly I was not able to participate in any of it for the foreseeable future. Other than a couple of Zoom improv classes I had no creative outlet. I was not in any shows at the time, but I was a member of a performing choir that stopped due to COVID. Like everyone else, I felt a bit lost. My dream has always been to have a career in theater, and though I've done a couple of professional shows, I still have not hit my stride with performing. I don't have an agent and am not equity, so like most other actors in the city I'd been in the trenches trying to get booked. I was already fighting discouragement with the rejections and failure of "making it" as an actor when COVID hit, so when it became clear that my dream was in limbo and it was uncertain when theaters would re-open, I realized I needed to shift my priorities.

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Q - How did you decide to get involved with TikTok and why?

A - Prior to COVID, I had been growing increasingly interested in social media and the format of entertainment being delivered via the internet. The Actor's magazine "Backstage" and other actor publications have really been emphasizing the importance of having a presence on social media (here's a 2020 article from them on why every actor needs to be on social media). I made a TikTok account in December of 2019 because of the popularity the app was gaining and I posted a few videos to the app, but I was uncommitted prior to the pandemic. Once the theaters closed and I could not perform anything in person, I decided to spend all the found time I had in making videos for the internet and trying to build an audience. I decided to specifically start putting all my efforts into creating TikTok content because I knew that it was the fastest growing social platform in 2019-2020, it had the highest demographic of teen users at the time, and because I regretted missing the wave with Vine (a popular video app that died in 2016). I thought that if I could get good at keeping an audience engaged through short videos, it would help my storytelling skills and increase my understanding of what it takes to build an audience. Since I was trapped at home in quarantine anyway, I decided it would be a good way to have some sort of creative outlet while growing my understanding of how to keep people entertained.

Q - Tell us about how your audience grew there and what you learned from that audience?

A - It took a solid couple months of uploading consistently videos that barely broke 100 views before one took off and gained over a couple thousand views. From there it was probably another month and a half of posting before one of my videos broke the 100k views mark. As I continued to consistently post throughout the year, that window between the successful videos would grow shorter. Eventually, after about 6 months of posting with a few viral videos, I had gained a following of 40k. Up to this point, I had a general idea of the kind of audience I attracted (a younger demographic), so I started focusing my content more on what I thought they might find engaging. Taking the time to really work through that helped my growth and I was able to produce successful videos on a more consistent basis, ending the year with 590K followers. Consistency was the most important part of the growth. I posted videos daily for a few months, then pulled back to every other day once I started feeling burnt out.

I learned quite a lot from the audience, but I would say the two most important things would be: never-ending improvement, and consistency are key. There is always something I could improve in my videos whether it be lighting, sound, pacing, dialogue, etc. Also being consistent with the upload schedule and the kind of videos I posted were the most important factors of growth.

Q - Tell us about the process of figuring out what kinds of posts do well and play to your strengths? E.g. Do you do dances? Songs? Skateboard tricks? Monologues?

A - I quickly realized that I was (regrettably) not a part of the class of creators who could simply hit record, strike a couple poses, look attractive, and get millions of views. Nor was I a dancer. So, I took stock of what I was good at and how I might incorporate that into my videos. Being from a theater background, I was very familiar with conflict and motivation (i.e. what is the conflict of a story and what is motivating the characters to act), so I decided to try and incorporate that into my videos. I tried a basic skit where I played two characters fighting over something they both wanted (a yellow balloon), and I tried to keep the conflict at the center of the video. Conflict with high stakes engages an audience, and that was my first video to hit 1 million views. From there, I did a ton of research on how to make entertaining videos, what keeps people engaged, attended workshops, listened to podcasts--everything. I ruled out trying to do monologues or straight theater scenes as I saw other actors doing that on the app but found the videos to be pretty cringy. Not that my videos aren't cringy, but I had more fun going the direction I did.

Q - How might other young artists and actors think about personal branding and craft on platforms like TikTok, Snapchat and Instagram?

A - I am still trying to figure this out myself. I definitely think it's important to be on social media as an actor, since so much of the world relies on it. But I also see so many actors on social media only posting "actor" content, which I find really one-dimensional. As performers, our bodies are our instruments and our faces are our brand. As such, I think it's easy for us to be so self-focused that we get tripped up by what people actually enjoy or are entertained by. We post as a way to put ourselves out there, to show we're working on theater stuff, to say how happy and grateful we are to be involved in such-and-such production or Zoom play. But that does not attract an audience. That's "selfish content". The best thing you can do is offer value to people, whether that be information, entertainment or inspiration. Offering content that is valuable to people is what attracts them to follow you. I believe this is true across all social platforms.

Brittin Ward and his brother Titus

Brittin Ward and his brother Titus

Q - What kind of discipline or time commitment have you developed and what might other people develop?

A - Each video I posted in the latter half of the year took around 3-4 hours to shoot, edit, and post, so it definitely required a good amount of discipline. That also does not include the time it would take to come up with a video idea and plan out the video. It sounds silly since it was only for TikTok, but I would literally storyboard my videos and break them down into increments of 5-10 seconds and plan what action I wanted to happen at which segment of the video. I basically spent all my time outside of my day job working on my videos.

Q - Why is it important for artists to build self-marketing skills?

A - Honestly, being cut off from theater was really great for me as it forced me to take stock of the direction my career was going and think creatively about how to entertain people. As an actor, I am my own business so it is solely up to me whether I succeed or fail. If I don't have the drive to keep picking myself back up after each failure and continuing to pursue my dream, it will not happen. Self-marketing is crucial for actors and entertainers, but I would emphasize the importance of not just self-promoting. No one likes that. But everyone appreciates a chuckle at a funny video, or feeling inspired to try something new because of a video they watched. I don't know who said this originally, but my dad always told me "people won't remember what you said or did, but they will remember how you made them feel.”

Q - When the pandemic is officially over (what a wonderful thought!) do you expect to remain as involved on TikTok? Or do you expect to channel your creative energies elsewhere?

A - I've really enjoyed building an audience on TikTok, and I will continue to post there, but I would also like to turn my attention to other platforms. With videos restricted to being 60 seconds long, I have a hard time creating content that connects with people on a deeper level. I don't think it's possible for a TikTok to have the same impact on a person as a great podcast or youtube video. You just can't go deep (whether it be comedy, inspiration, etc.) in 60 seconds. When the Pandemic lifts I will go back to auditioning and trying to book stage roles. However, I will continue to devote plenty of my time to making videos. I feel like I am only just now beginning to understand how all this social media stuff works, so I'd like to see what I can accomplish in another year.

- Edited by Paul Glader, executive director of MPJI.

MPJI is based at The King’s College in New York City. MPJI provides education, training and professional development projects for journalists at the high school, undergraduate and professional levels. It is named after the late John McCandlish Phillips, a legendary reporter at The New York Times.

Follow us on Twitter, Instagram, and Facebook @JMPjournalism and LinkedIn at McCandlish Phillips Journalism Institute.

Fall ‘20 NYCJ Students Use Internships to Cover Elections and COVID-19

NYCJ Fall 2020 students Destinee Evans and Marlena Lang having a lunch meeting with Prof. Paul Glader and Prof. Clemente Lisi

NYCJ Fall 2020 students Destinee Evans and Marlena Lang having a lunch meeting with Prof. Paul Glader and Prof. Clemente Lisi

Students who are part of the NYC Semester in Journalism (NYCJ) program have had plenty of success in their internships this Fall, covering the recent presidential election and the ongoing pandemic for a number of news organizations.   

This semester’s students followed in the footsteps of past NYCJ classes by participating in the unique semester-long, off-campus study program operated by the McCandlish Phillips Journalism Institute at The King’s College in NYC.

“I am most proud of two articles that I wrote for my internship at Newsweek. The first was my very first article about mail-in ballot controversies around the nation,” said Marlena Lang, a Biola student who is part of the magazine’s newly-formed fact-checking team. “I was proud of this article because not only was it my first, but it is also the longest one I have completed after spending two days researching and writing it.

Lang said the other piece she is most proud was about the Pfizer vaccine “because I pitched them the idea and then completed the research and wrote the article.”

Destinee Evans and Marlena Lang in Battery Park

Destinee Evans and Marlena Lang in Battery Park

Destinee Evans, a student from Olivet Nazarene University, said her internship at the New York Daily News allowed her to cover COVID-19 and its impact on the Big Apple.

“During this internship, I have been able to interview families of people who may have just lost a loved one but getting to tell amazing stories about the people they love has been rewarding,” she added. “It can be a lot to take in sometimes but getting over the fear of talking to new people is something I will take with me throughout my career.”  

Students taking part in the eleventh NYCJ cohort that chose to come to New York in person this semester took advantage of TKC’s hybrid model, a mix of both online and in person classes as well as their internship. The students are enrolled in classes including Entrepreneurial Journalism with Prof. Paul Glader and a course called The City taught by Anne Hendershott. The City course – required of all NYCJ students – also serves as an elective for King’s students.

Under the guidance of Prof. Clemente Lisi, a former editor at the New York Post and New York Daily News, the students work 20 hours per week in a New York City newsroom, earning six academic credits and pursuing bylines.

Being able to live and work in New York City remains a huge appeal to students.

“Living in New York has been an amazing experience that I was worried would not happen,” Evans said. “Getting to go different places in the city with new friends has been fun. I know it’s not the same as semesters in the past but it is still something that I will cherish.”

The New York City Semester program partners with 40 universities and colleges across the nation and globe. Apply to become a partner school by contacting Paul Glader at pglader@tkc.edu. Apply to join us as a student for a future semester by clicking here.

Will New York City Survive? A Q & A with Anne Hendershott

Will New York City Survive? A Q & A with Anne Hendershott

By MPJI Staff

Anne Hendershott, writer and visiting professor at The King’s College, will be returning this semester to teach a course on “The City,” which will be a core course for every student who attends the NYC Semester in Journalism (NYCJ) program and an elective for students at The King’s College. Hendershott has written many books including Renewal, Status Envy, The Politics of Deviance, The Politics of Abortion, Moving for Work, and The Reluctant Caregivers.

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What will a student enrolled in The City learn?/What do you most hope students learn?

The goal of the course is to help students discover exactly what it is that made New York City the vibrant and exciting place it still is today.  We take what is called in urban studies an “ecological approach” to understand how New Amsterdam — a sleepy trading post — became the thriving metropolis it is today. 

The ecological approach looks at four different variables including Population, Organization, Environment and Technology to help us understand why New York – and not Philadelphia, or New Orleans, or any one of a number of cities—became the premier city in the country.  I allow students to conclude for themselves which of the four variables they see as “most important” in helping to explain how New York became New York. Many of them choose environment as the explanatory variable because of our deep water harbor and access to the hinterlands but I would argue that it is the people of New York City – from the earliest days — that made the access to the hinterlands possible by building the Erie Canal.  And it was the people of New York that actually created the deep water harbor.  Just a few steps away from King’s College is Pearl Street – it was called Pearl Street because at one time Pearl Street was just a big oyster bed—that filled with water.  The people of New York used technology to dig and create the deep-water harbor that facilitated trade.  To me, the people and the culture they created is what makes New York City what it is today.

How does the past relate to current issues?

Throughout the course we look closely at the people and events that shaped New York as a place for business, the arts and the media. For example, we begin with the Dutch who brought the capitalist spirit — the need the develop a trading post that would rival all others. I am Dutch — my father was part of an early Dutch family in Manhattan — so I guess I give a bit more attention to the early Dutch settlers here than most others. We look closely at Peter Stuyvesant and his role in creating New Amsterdam’s governance. Then, we move on to the Revolutionary War and the pre-Revolutionary role of journalist, John Peter Zenger—an immigrant from Germany who became a printer and publisher in the City.  We maintain that Zenger singlehandedly “won” for us, the freedom of the press. Zenger did this by printing the New York Weekly Journal—an early tabloid that was used in the pre-Revolutionary times to poke fun at the English leaders of the new colony.  Zenger published irreverent cartoons of William Cosby, the royal governor of New York — depicting him as assorted farm animals — in order to protest his policies.  In response, Governor Cosby had Zenger imprisoned.  But, with the help of very smart lawyer from Philadelphia, Zenger was released and the freedom of the press was officially established.  Zenger is still a symbol for the freedom of the press—and we are still debating today how much freedom the press should have.

Throughout the course, we look at the important role that Christianity has played—and continues to play—for the City. While the Dutch did not get around to building a church in New Amsterdam for more than decade, that did not mean that they did not worship and thank God for bringing them to this beautiful island. It was just that the Dutch believed that to honor God they needed to work hard and provide for their families in this new world. Establishing a flourishing trading post enabled them to later build a church and hire a minister for their fledgling colony.

How will we respond to calls for police reform?

The Black Lives Matter movement has great resonance for us in this course.  Since we take a socio-historical perspective, we will look at other periods in our City’s history when there were similar calls for police reform. As each wave of immigrants came to the City, there were calls for police reform as each new immigrant group experienced what they perceived as discriminatory practices by those who came before them.  When the Irish immigrants arrived in large numbers, they were treated harshly by those earlier immigrants who were charged with law enforcement. The word “Paddy Wagon” came from the fact that Irish criminals were far more likely to be arrested and put into the police carriages than any other ethnic group.  The Irish came to power eventually by becoming police officers, politicians and priests — and then they were able to determine who would be arrested and incarcerated.  The Irish then were viewed as discriminating against the next ethnic group to arrive in the City — the Italians and the Eastern Europeans—who were barred from jobs with the police department and were more likely to be arrested and incarcerated than the Irish.

This demographic imbalance on the police department became a problem in July, 1863, during the New York City Draft Riots when the anger of working class New Yorkers over a new federal draft law during the Civil War sparked five days of riots in the City. African Americans were often the target of the rioters’ violence — some were lynched, many were murdered and some of the perpetrators were on the City’s police force.

Today, the NYPD demographics have changed dramatically as white police officers are in the minority.  Of the 35,783-member police force, only 47% are White, and 53% are Black, Latino or Asian American. Still, the perception remains that the NYPD does not understand inner-city concerns about what some residents view as unfair treatment of Blacks and Hispanics. We will explore the cultural contributors to that perception in the course.

Are middle class and wealthier New Yorkers fleeing NYC?

While it cannot be denied that COVID has demonstrated to us that we may not have to be physically present in an office in the City in order to get our work done, I just cannot agree with the National Review and NYTimes claims that COVID has “changed” the City forever. We have faced challenges that were even greater in the past – during the Depression of the 1930s, we had more than 25% of the New York City workforce unemployed. The 1970s flight of businesses and jobs out of the City was actually much worse than the current crisis.  I am confident that New York will be back better than ever.  New Yorkers are resilient and even though there are indeed some jobs that can be done remotely, journalists, artists, actors and writers will continue to live and work in the City.  We are still the financial capital and although many businesses may believe they can have their workers relocate elsewhere, New York will remain the heart of the business world.

Have you taken on any new interests since COVID?

I have had much more time to devote to research and writing about the cultural fallout from the COVID lock-down.  And, now during this period of protest, I have been writing and publishing articles in the secular and religious press which attempt to explain our current cultural predicament.

What are you most looking forward to at King’s?

For me, the main attraction to King’s has always been the students. They are among the most highly motivated and talented students I have ever worked with in my more than three decades of college teaching.  I am grateful for their enthusiasm and their optimism – and the many gifts they bring including their great love for God and their desire to know and serve Him. I have had the great privilege to work with several King’s students even after graduation. A few years ago, I co-authored a book with a former King’s student. This student, Christopher White, was my research assistant during his undergraduate years and we stayed in touch and ended up collaborating on several articles that were published in The Wall Street Journal, USA Today and other newspapers.  Eventually, we co-authored a book that was published by Encounter Books, Renewal. Now that student, Christopher, is a talented journalist for the National Catholic Register, formerly a correspondent for Crux. 

What was your most pivotal moment?

More than 20 years ago, I made a conscious decision to begin writing for a more general audience with my books and articles. Until that time, I had written primarily for a scholarly audience but was reaching very few readers. But, once I published my Politics of Deviance book in 2002—and directly targeted my writing toward readers who wanted to be part of the conversation, it has changed everything for me. Since that time, each book I have published, and all of the hundreds of articles I have written and published in the media is always geared to an educated reader who appreciates fact-based opinion writing.

Which book is most relevant to the times?

My newest book, The Politics of Envy is in the production process and is due to be released in October—before the election. The book, which is written from a biblical perspective on the sin of Envy, argues that when toxic envy grows unchecked, it will inevitably destroy an individual, a family, a society—even a civilization.  I believe that envy today has reached a tipping point, fueling acts of anger, violence, and revenge in America’s cities and corporate boardrooms. In the book, I argue that much of the attraction to socialism is driven by a malign envy that has been nurtured by craven politicians and incited by some in the media.  There is an entire chapter on the role of social media in encouraging envy.

Go-to Advice for student journalists?

Write!  Find a faculty member who loves to write and tell him or her your ideas.  See if they are willing to let you be part of their research or editing process.  I have published several op-eds and essays with undergraduate students.  The important goal is to develop your own “voice.”  When I taught the Persuasive Writing course at King’s several years ago, I would tell students to pretend that you are sitting in your office and you are telling a friend about an event that is occurring and you want that friend to know all of the facts.  And, if you are writing an opinion piece, write like you would want your friend to know what you think of those facts. 

How Does NYC still matter?

New York will always matter for young journalists, theater students, art students or business and finance students because each of these require the kind of human interactions in dense urban environments that only NYC can provide.  While some businesses may have left the City—as they did in previous economic downturns like the 1970s—there will always be newcomers in the years to come.  The course in The City will demonstrate that these newcomers have been arriving on our shores over and over again, from across the country and the world for more than four centuries.  Some are arriving right now and right here at The King’s College.  I share their spirit of adventure and optimism—and I am grateful that they are here! Our City’s history should reassure us that after previous declines, we lifted ourselves from the depths and flourished like never before.